In her latest book Women and the Romance of the Word: 19th Century Contexts in Bengal (Bloomsbury, 2024), she looks at the emergence of the sign woman in the cultural symbolic of the second half of the 19th century in Bengal through a magnificent efflorescence of writing in autobiography, polemics and travelogue writing. She reads this moment as a 'romantic' encounter between women and language.
In her earlier book The Many Dialogues of the Sri Sri Ramakrishna Kathamrita (Hawakal, 2021) she has used the dialogic framework suggested for the novel by Mikhail Bakhtin in The Dialogic Imagination, to read the Kathamrita as offering multiple dialogues between empiricism and faith, myth and history, historical documentation and music as epistemology, Shakta and Vaishnav epistemologies to create a symphonic text. Both these books were reviewed in The Telegraph.
Department of Performing Arts, Presidency University, Kolkata, India
June 2016 – PresentDepartment of English, Basanti Devi College, Kolkata, India
November 1996 – June 2016Program in Comparative Literature, Rutgers University, New Brunswick, US
Fall 1990San Diego State University, Department of English and Comparative Literature.
Writers Capital Foundation.
Women and the Romance of the Word: Nineteenth Century Contexts in Bengal.
The Many Dialogues of the Sri Sri Ramakrishna Kathamrita.
Light, and Yet, More Light. Translation of Alokeranjan Dasgupta’s Alo Aro Alo.
Sister Nivedita By Rabindranath Tagore.
Narrative and Gender Intersections: Selected Novels of Ashapurna Devi and Mahasweta Devi.
Questions of Identity and Community: Women, Language and Literature within African and African-American Postcolonial Contexts.
Intertexts of Writing, Race, Class, Gender, and Historical Context: Toni Morrison, Bessie Head and Mariama Bâ.
Mukherjee, Sreemati, editor. Many Contexts in Indian Writing in English.